Tag Archives: higher education

Andrew Delbanco–What are the virtues of a college education?

I’ve begun reading Andrew Delbanco’s latest book, College, What It Was, Is, and Should Be, impressed by an essay in the Chronicle Review derived from the book. I’ve only made my way through the first chapter, but there are a several things to note immediately.

First, Delbanco dances a little bit with question of what college was. He shows how all of our current debates and lamentations about college life–students are too often debauched, professors teach too little and too poorly, and the college curriculum isn’t focused well enough on getting students jobs–are all of very long-standing, common to our public discourse as equally in 1776 as in 1976 and on to today. At the same time he shows how in some very real ways colleges have already abandoned and are ever more quickly fleeing from ideals that they once embodied, however imperfectly.

For Delbanco, the genius of college–as opposed to the professionally oriented university–is primarily to be found in an ethical imperative rather than an economic motive. It’s main value is to establish a kind of personhood that is necessary for citizenship. It’s qualities include the following:

1. A skeptical discontent with the present, informed by a sense of the past.

2. The ability to make connections among seemingly disparate phenomena.

3. Appreciation of the natural world, enhanced by knowledge of science and the arts.

4. A willingness to imagine experience from perspectives other than one’s own.

5. A sense of ethical responsibility.

These habits of thought and feeling are hard to attain and harder to sustain. They cannot be derived from exclusive study of the humanities, the natural sciences, or the social sciences, and they cannot be fully developed solely by academic study, no matter how well “distributed” or “rounded.” It is absurd to imagine them as commodities to be purchased by and delivered to student consumers. Ultimately they make themselves known not in grades or examinations but in the way we live our lives.

Delbanco, Andrew (2012-03-22). College: What it Was, Is, and Should Be (Kindle Locations 138-148). Princeton University Press. Kindle Edition.

For Delbanco, these qualities are essential to the functioning of a healthy democracy. He puts this most succinctly and eloquently, I thought, in his adaptation for the Chronicle Review, referencing Matthew Arnold and saying, “Knowledge of the past, in other words, helps citizens develop the capacity to think critically about the present–an indispensable attribute of a healthy democracy.” Amen and a mane.

The problem, and Delbanco is, of course, aware of it, is that what college is, and is fast exclusively becoming, is a commodity that is purchased by and delivered to student customers. The economic metaphors for college life are triumphant, and no more clearly so than in our discourse about whether a college education is “worth it.” The question of whether a college education is “worth it” is posed and answered these days in almost exclusively monetary terms. How much does it cost, and how much will you get for the investment?

Over and against this rather ruthless bottom line, Delbanco’s descriptions seem noble, but I’m a little afraid that it is so much tilting at windmills (I reserve judgement until I’ve actually finished the book). Only today I was discussing these matters with several of my faculty who are going to be attending the conference at Wake Forest, Rethinking Success: From the liberal arts to careers in the 21st century. Our career development director described to me parents who come to her asking for job statistics for their children as they chose between our small Christian college and other more well-known universities. The fundamental decisions are not related so much to the the quality of education we could provide, not the kind of transformative potential that her child might realize in an environment at Messiah College devoted to the development and integration of an intellectual, spiritual and ethical life, but whether in fact our graduates get jobs as readily and whether those jobs pay as much as her child’s other options. The difficulty for a College less well known than the Ivies Delbanco focuses on, is to find a rhetoric and an educational program that holds up the flame of the education Delbanco imagines, while also speaking frankly and less idealistically to the ways in which that education can pay off in material ways.

It’s not that these are poor questions for parents to be asking; its just that these questions are unrelated to the kinds of things Delbanco is saying College is for and that many of us have believed that it is for. Delbanco, of course, is trying to intervene in useful way to alter the national discourse about what college ought to be about. Without a shift in that discourse, its impossible to imagine College being for what Delbanco says it should be for, except somewhere in the hidden and secret recesses of the academic heart.

What could our educational system learn from Wegmans?

Mark Sandel–The commodification of everything

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I’ve enjoyed listening occasionally to Mark Sandel’s lectures in philosophy via iTunes. He has an interesting new article in the April Atlantic focusing on the ways in which nearly everything in American life, at least, has been reduced to a market value. Despite the admonition that money can’t buy me love, we are pretty sure that it can buy everything else, and that we are willing to sell just about anything, including body parts and personal dignity, for whatever the market will bear.

Sandel somewhat peculiarly to my mind traces this to a post-Cold War phenomenon.

WE LIVE IN A TIME when almost everything can be bought and sold. Over the past three decades, markets—and market values—have come to govern our lives as never before. We did not arrive at this condition through any deliberate choice. It is almost as if it came upon us.

As the Cold War ended, markets and market thinking enjoyed unrivaled prestige, and understandably so. No other mechanism for organizing the production and distribution of goods had proved as successful at generating affluence and prosperity. And yet even as growing numbers of countries around the world embraced market mechanisms in the operation of their economies, something else was happening. Market values were coming to play a greater and greater role in social life. Economics was becoming an imperial domain. Today, the logic of buying and selling no longer applies to material goods alone. It increasingly governs the whole of life.

The last gasp Marxists I studied with at Duke had a word for what Sandel sees and descries, commodification, and it didn’t mysterious just come upon us in the 1980s. Commodification, the rendering of every bit of life as a commodity that can bought and sold, is the central thrust of capitalist economies in the 20th century, perhaps the central feature of capitalism per se. The essential act of commodification is at the center of Marx’s understanding that the worker in some very real sense sells him or herself through selling his or her labor power. Thus, human beings were commodified well before people became willing to sell tattoos on their foreheads to advertise products. So Sandel’s perplexity and astonishment at this state of affairs in our contemporary economy strikes me as the perplexity of someone who has only recently awakened from a dream.

On the other hand, I do think Sandel is on to something. It is the case that despite this thrust of capitalist economies (and, to be frank, I’m not sure that Marxist economies were all that different), there have been sectors of culture and their accompanying institutions that resisted their own commodification. The edifice of modernism in the arts and literature is built on the notion that the arts could be a transcendent world apart from degradations of the social world, including perhaps especially its markets. The difficulty and density of modern art and literature was built in part out of a desire that it not be marketable in any typical sense. Modern art was sometimes ugly precisely to draw attention to the difficulty and difference of its aesthetic and intellectual properties. It was meant not to sell, or at least not to sell too well. Remember that the next time a Picasso sells for millions. Similarly, the church and in a different way educational institutions retained a relative independence form the marketplace, or at least resisted the notion that they could be reduced to market forces. Whether claiming to provide access to the sacred or to enduring human values, religious institutions and educational institutions served–even when they were corrupt or banal–to remind the culture that there was a world apart, something that called us to be better than ourselves, or at least reminded us that our present values were not all the values that there were.

Sandel rightly notes that that residue has all but disappeared, and the result has been an hollowing out of our public life, and a debasement of our humanity.

In hopes of avoiding sectarian strife, we often insist that citizens leave their moral and spiritual convictions behind when they enter the public square. But the reluctance to admit arguments about the good life into politics has had an unanticipated consequence. It has helped prepare the way for market triumphalism, and for the continuing hold of market reasoning.

In its own way, market reasoning also empties public life of moral argument. Part of the appeal of markets is that they don’t pass judgment on the preferences they satisfy. They don’t ask whether some ways of valuing goods are higher, or worthier, than others. If someone is willing to pay for sex, or a kidney, and a consenting adult is willing to sell, the only question the economist asks is “How much?” Markets don’t wag fingers. They don’t discriminate between worthy preferences and unworthy ones. Each party to a deal decides for him- or herself what value to place on the things being exchanged.

This nonjudgmental stance toward values lies at the heart of market reasoning, and explains much of its appeal. But our reluctance to engage in moral and spiritual argument, together with our embrace of markets, has exacted a heavy price: it has drained public discourse of moral and civic energy, and contributed to the technocratic, managerial politics afflicting many societies today.

Sandel wonders about a way to connect to some kind of moral discourse to inform public life, something that will reach beyond the reach of markets, but he clearly despairs that such a connection can be found. I think there’s good reason. Rapidly our educational institutions have become factories that shamelessly advertise themselves as places where people can make themselves in to better commodities than they were before, and which build programs designed to sell themselves to the highest number of student-customers possible. Our religious institutions are floundering. Only today I read in Time magazine that the rise of so-called “nones”–people who claim to have no religious affiliation–is one of the most notable developments in our spiritual culture. Such people often seek to be spiritual but not religious on the grounds that religions are dogmatic and inflexible. I have come to wonder whether that dogmatism and inflexibility points to the hard won truth that it is not good enough to just go along to get along.

One wonders, in fact, whether a spirituality based on getting along really provides a hard point of resistance to the tendency to see everything in life–whether my beliefs or my ethics–as an investment that must pay off if it is to be worth keeping. I wonder, too, whether our educational systems and institutions are up to the task of providing an education that isn’t just another instance of the market. As for art, writing, and literature. Well, who knows? Modernism was not always commodified, though it very quickly became so. I do find it intriguing that this point of hyper-commodification is also a time when there has been an explosion of free or relatively free writing and music on the internet. There is a small return to the notion of the artist as a community voice, with musician and poets producing work for free on the internet, and making their living through performance or through other jobs–escaping or at least partially escaping the notion that we produce work primarily to sell it. This is a small resistance, but worth thinking about.

I wonder if there are other ways our culture is equipped to resist in a larger collective fashion, the turning of our lives in to the image of a can of soup?

The United States–Land of the Second Language Illiterates

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Approximately 80% of American citizens are monolingual, and the largest part of the rest are immigrants and their children. This statistic from Russell Berman, outgoing President of the MLA, in his valedictory message to the MLA convention in Seattle this past January. Berman’s address is a rousing and also practical defense of the humanities in general, and especially of the role of second language learning in developing a society fully capable of engaging the global culture within which it is situated. From his address:

Let us remember the context. According to the National Foreign Language Center, some 80% of the US population is monolingual. Immigrant populations and heritage speakers probably make up the bulk of the rest. Americans are becoming a nation of second-language illiterates, thanks largely to the mismanagement of our educational system from the Department of Education on down. In the European Union, 50% of the population older than 15 reports being able to carry on a conversation in a non-native language, and the EU has set a goal of two non-native languages for all its citizens.

Second language learning enhances first language understanding: many adults can recall how high school Spanish, French, or German—still the three main languages offered—helped them gain a perspective on English—not only in terms of grammar but also through insights into the complex shift in semantic values across cultural borders. For this reason, we in the MLA should rally around a unified language learning agenda: teachers of English and teachers of other languages alike teach the same students, and we should align our pedagogies to contribute cooperatively to holistic student learning. We are all language teachers. For this reason, I call on English departments to place greater importance on second language knowledge, perhaps most optimally in expectations for incoming graduate students. Literature in English develops nowhere in an English-only environment; writing in any language always takes place in a dialectic with others. With that in mind, I want to express my gratitude to the American Studies Association for recently adopting a statement supportive of the MLA’s advocacy for language learning.

Berman goes on to recognize, however, that this strong and reasonable call for educated people to be conversant in more than one language is largely sent echoless in to the void. Less than .1% of the discretionary budget of the Department of Education goes to support Language learning. Indeed, I suspect this is because so many of us, even in higher education, are dysfunctional in a second language. I often tell people grimly that I can ask how to go to the bathroom in four different languages.

Nevertheless, in an age where we call for global engagement and in which we imagine the importance of preparedness for a global marketplace and want our students to be citizens of the world, it is irresponsible to continue to imagine that world will conveniently learn to speak English for our sakes.

Giving students what they want whether they want it or not

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The Chronicle of Higher Education recently reported that one study shows that in some cases e-textbooks are saving students the grand total of one greenback per course. Figuring in the costs of hardware, tech support, infrastructure, and etcetera that are adding immensely to the cost of tuition anyway—not to mention the disappearance of a secondary market where they can resell their textbooks–I really wonder whether, so far, e-textbooks might not be costing students money in the short run. Until there is a much larger economy of scale I suspect that cost savings will remain negligible. Even then, it’s not clear. Though general consumption of e-books has skyrocketed in relative terms over the past couple of years, the cost of e-books has actually crept upward such that the difference between the cost of an e-book and the cost of a paperback on Amazon is small, and clearly costs more than a good used paperback available easily through Amazon’s resellers or through good used bookstores like my favorite, Midtown Scholar here in Harrisburg.

In some ways I’m even more interested in the practical and usability costs that students are experiencing. According to the Chronicle, many students struggled to know how to use the technology effectively and lacked the basic computing skills necessary. Professors were called upon to be IT instructors. This flies in the face of our ideological conviction that young people naturally adapt to technology in a way their professors do not. I don’t have a grasp of the details here, but it surely seems that some professors are being required to spend time away from their disciplines in order to get students up to speed on how to use the technology.

The electronic rental model caused a few other headaches for students and professors at the college, according to the study. Some students struggled to use the e-textbooks, thanks to disparities in basic computing skills. Those problems led some professors to spend class time conducting their own in-class tutorials, and even afterward a few said it was unclear who should be providing continuing technical instruction—faculty, campus IT staff, or representatives from the publishers.

And, of course, predictably, there are massive infrastructure issues involved with swift changes to e-books as the basic tool of the university.

Even students who adapted to the technology quickly sometimes struggled to open up the digital course materials during lectures. Wireless networks in classrooms where several students were using e-textbooks at once sometimes became overwhelmed, making access to publishers’ sites inconsistent.

I should probably say that this is not a screed against technology or e-books. I do almost all my own occasional reading on my iPad, and I do read e-books, though I continue to prefer the old codex for anything over about 20 pages long. I do think, though, that we ought to proceed cautiously with the notion that technology is the salvation for better learning at a lower cost. Once we add in the infrastructure necessary to make sure students can use the technology effectively—hardware, software, sufficient bandwidth, tech support and training for students and teachers on a permanent and consistent basis (really 24 hours a day given the way education is heading)–its unclear that students will have really saved anything, because to be sure it will be the students or their parents who are paying for it.

I think, to be frank, that there is a certain inevitability about this transformation to which we will all have to adapt and are already adapting. But we really ought to justify that transformation on the basis of whether students are learning more or not rather than on costs savings that I don’t think are really happening. I just think we need to get clearer on the advantages or e-books to students learning, if they are there, before we give students even more of what they want whether they want it or not.

The Boy Problem

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Boys and their problems may be the enduring cultural theme in what used to be called the west. Think Oedipus, Cain and Abel, Hamlet, or Huckleberry Finn. All on some level about disfunctional “boys” or half-men trying to function in a disfunctional world. Because the boy problem in education reflects the emotional contours of that story, we may be tempted to treat it as an enduring fiction rather than a broad issue of serious social concern as we really ought to do.

I’ve written elsewhere on this blog about the problem of boys and reading. I’ve also had some longstanding concern about the particular problem of engaging boys in the learning process. Thus it was with some interest that I read This piece from Inside Higher Ed on the latest social science regarding the problem of boys

The working paper, which uses data from the U.S. Census and the National Longitudinal Surveys of Youth, also notes a striking and substantial difference between the sexes in educational attainment, with women outpacing men in every demographic group. The largest gap between men and women in completing college is at the highest economic range, with women at a 13-percentage-point advantage over their male counterparts.

“It was surprising to us to find the female advantage is the largest among the highest quartile,” said Susan Dynarski, a co-author of the study and associate professor of public policy and of education at the University of Michigan. “When you hear about ‘the boy problem,’ you tend to hear about low-income groups.”

This last reflects my own intrigue as well. The disparate statistics are often dismissed as a function of class or racial differences with white boys from upper and middle income brackets being largely unaffected. Thus the disparity can be dismissed as being gender based in any crucial way. This study while hardly definitive, calls that in to question.

When the gender specific elements are not dismissed, it seems to me that they are very often interpreted in quasi-Victorian terms that either assume boys as a class are morally inferior–I.e. they are lazy and don’t want to work hard–or that assume boys are genetically inferior–I.e. boys are not wired in a way that encourages success in our collaborative information based culture.

Both these arguments–to be sure, there are other arguments– strike me as deeply problematic. Imagine if we applied the same terms to women or to race, assuming that failure to perform was the result of moral or genetic flaws rather the structure of social attitudes toward education or the social assumptions embedded within the educational process. additionally, and ironically, I think this tendency to blame boys for their problems is structured along typically masculinity lines. That is, in the stories of Oedipus and the others I mention above, boys are judged by their success or failure in overcoming their disfunction. They are judged–usually as to whether they are worthy of becoming men–by whether they individually overcome the corruption of the world around them (Huckleberry Finn) or overcome the cowardice within (Hamlet) or by whether they overcome the temptations to pride (Cain). But the point is, finally that they are judged. To be a boy is to be judged worthy or unworthy, however vague and indistinct the standards by which that worth is determined.

What would happen, I wonder, if we stopped judging boys and instead turned our eyes on a society and an educational system that facilitates their failure?

Create or Die: Humanities and the Boardroom

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A couple of years ago when poet and former head of the NEA, Dana Gioia, came to Messiah College to speak to our faculty and the honors program, I asked him if he felt there were connections between his work as a poet and his other careers as a high-level government administrator and business executive. Gioia hemmed and hawed a bit, but finally said no; he thought he was probably working out of two different sides of his brain.

I admit to thinking the answer was a little uncreative for so creative a person. I’ve always been a bit bemused by and interested in the various connections that I make between the different parts of myself. Although I’m not a major poet like Gioia, I did complete an MFA and continue to think of myself in one way or another as a writer, regardless of what job I happen to be doing at the time. And I actually think working on an MFA for those two years back in Montana has had a positive effect on my life as an academic and my life as an administrator. Some day I plan to write an essay on the specifics, but it is partially related to the notion that my MFA did something to cultivate my creativity, to use the title of a very good article in the Chronicle review by Steven Tepper and George Kuh. According to Tepper and Kuh,

To fuel the 21st-century economic engine and sustain democratic values, we must unleash and nurture the creative impulse that exists within every one of us, or so say experts like Richard Florida, Ken Robinson, Daniel Pink, Keith Sawyer, and Tom Friedman. Indeed, just as the advantages the United States enjoyed in the past were based in large part on scientific and engineering advances, today it is cognitive flexibility, inventiveness, design thinking, and nonroutine approaches to messy problems that are essential to adapt to rapidly changing and unpredictable global forces; to create new markets; to take risks and start new enterprises; and to produce compelling forms of media, entertainment, and design.

Tepper and Kuh , a sociologist and professor education respectively, argue forcefully that creativity is not doled out by the forces of divine or genetic fate, but something that can be learned through hard work. An idea supported by recent findings that what musical and other artistic prodigies share is not so much genetic markers as practice, according to Malcolm Gladwell 10,000 hours of it. Tepper and Kuh believe the kinds of practice and discipline necessary for cultivating a creative mindset are deeply present in the arts, but only marginally present in many other popular disciplines on campus.

Granted, other fields, like science and engineering, can nurture creativity. That is one reason collaborations among artists, scientists, and engineers spark the powerful breakthroughs described by the Harvard professor David Edwards (author of Artscience, Harvard University Press, 2008); Xerox’s former chief scientist, John Seely Brown; and the physiologist Robert Root-Bernstein. It is also the case that not all arts schools fully embrace the creative process. In fact, some are so focused on teaching mastery and artistic conventions that they are far from hotbeds of creativity. Even so, the arts might have a special claim to nurturing creativity.

A recent national study conducted by the Curb Center at Vanderbilt University, with Teagle Foundation support, found that arts majors integrate and use core creative abilities more often and more consistently than do students in almost all other fields of study. For example, 53 percent of arts majors say that ambiguity is a routine part of their coursework, as assignments can be taken in multiple directions. Only 9 percent of biology majors say that, 13 percent of economics and business majors, 10 percent of engineering majors, and 7 percent of physical-science majors. Four-fifths of artists say that expressing creativity is typically required in their courses, compared with only 3 percent of biology majors, 16 percent of economics and business majors, 13 percent of engineers, and 10 percent of physical-science majors. And arts majors show comparative advantages over other majors on additional creativity skills—reporting that they are much more likely to have to make connections across different courses and reading; more likely to deploy their curiosity and imagination; more likely to say their coursework provides multiple ways of looking at a problem; and more likely to say that courses require risk taking.

Tepper and Kuh focus on the arts for their own purposes, and I realized that in thinking about the ways that an MFA had helped me I was thinking about an arts discipline in many respects. However, the fact that the humanities is nowhere in their article set me to thinking. How do the humanities stack up in cultivating creativity, and is this a selling point for parents and prospective students to consider as they imagine what their kids should study in college. These are my reflections on the seven major “creative” qualities that Kepper and Kuh believe we should cultivate, and how the humanities might do in each of them.

the ability to approach problems in nonroutine ways using analogy and metaphor;

I think the humanities excel in this area for a variety of reasons. For some disciplines like English and Modern Languages, we focus on the way language works with analogy and metaphor and we encourage its effective use in writing. But more than that, I think many humanities disciplines can encourage nonroutine ways of approaching problems—though, of course, many professors in any discipline can be devoted to doing the same old things the same old way.

conditional or abductive reasoning (posing “what if” propositions and reframing problems);

Again, I think a lot of our humanities disciplines approach things in this fashion. To some degree this is because of a focus on narrative. One way of getting at how narrative works and understanding the meaning of a narrative at hand is to pose alternative scenarios. What if we had not dropped the bomb on Japan? What if Lincoln had not been shot? How would different philosophical assumptions lead to different outcomes to an ethical problem.

keen observation and the ability to see new and unexpected patterns;

I think we especially excel in this area. Most humanities disciplines are deeply devoted to close and careful readings that discover patterns that are beneath the surface. The patterns of imagery in a poem, the connections between statecraft and everyday life, the relationship between dialogue and music in a film. And so forth. Recognizing patterns in problems can lead to novel and inventive solutions.

the ability to risk failure by taking initiative in the face of ambiguity and uncertainty;

I’m not sure if the humanities put a premium on this inherently or not. I know a lot of professors (or at least I as a professor) prefer their students take a risk in doing something different on a project and have it not quite work than to do the predictable thing. But I don’t know that this is something inherent to our discipline. I do think, however, that our disciplines inculcate a high level of comfort with uncertainty and ambiguity. Readings of novels or the complexities of history require us to not go for easy solutions but to recognize and work within the ambiguity of situations.

the ability to heed critical feedback to revise and improve an idea;

Again, I would call this a signature strength, especially as it manifests itself in writing in our discipline and in the back and forth exchange between students and student and teacher. Being willing to risk and idea or an explanation, have it critiqued, and then to revise one’s thinking in response to more persuasive arguments.

a capacity to bring people, power, and resources together to implement novel ideas; and

I admit that on this one I kind of think the humanities might be weaker than we should be, at least as manifested in our traditional way of doing things. Humanists in most of our disciplines are notorious individualists who would rather spend their time in libraries. We don’t get much practice at gathering people together with the necessary resources to work collaboratively. This can happen, but instinctively humanists often want to be left alone. This is an area where I think a new attention to collaborative and project based learning could help the humanities a great deal, something we could learn from our colleagues in the sciences and arts like theatre and music. I’m hopeful that some of the new attention we are giving to digital humanities at Messiah College will lead us in this direction.

the expressive agility required to draw on multiple means (visual, oral, written, media-related) to communicate novel ideas to others.

A partial strength. I do think we inculcate good expressive abilities in written and moral communication, and we value novel ideas. Except for our folks in film and communication—as well as our cousins in art history—we are less good at working imaginatively with visual and other media related resources. This has been one of my priorities as dean, but something that’s hard to generate from the ground up.

Well, that’s my take. I wonder what others think?

We’re all pre-professional now

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I’ve been catching up this evening on backlog of reading I’ve stored on Instapaper. (I’m thinking “backlog” might be the right word: I don’t think you can have a “stack” on an iPad). A few weeks back Cathy Davidson down at Duke University had an interesting piece on whether College is for everyone. Davidson’s basic thesis, as the title suggests, is no. Despite the nationalist rhetoric that attends our discussions of higher education–we will be a stronger America if every Tom Dick and Henrietta has a four year degree–maybe, Davidson suggests, maybe we’d have a better society if we attended to and nurtured the multiple intelligences and creativities that abound in our society, and recognized that many of those were best nurtured somewhere else than in a college or university:

The world of work — the world we live in — is so much more complex than the quite narrow scope of learning measured and tested by college entrance exams and in college courses. There are so many viable and important and skilled professions that cannot be outsourced to either an exploitative Third World sweatshop or a computer, that require face-to-face presence, and a bucketload of skills – but that do not require a college education: the full range of IT workers, web designers, body workers (such as deep tissue massage), yoga and Pilates instructors, fitness educators, hairdressers, retail workers, food industry professionals, entertainers and entertainment industry professionals, construction workers, dancers, artists, musicians, entrepreneurs, landscapers, nannies, elder-care professionals, nurse’s aides, dog trainers, cosmetologists, athletes, sales people, fashion designers, novelists, poets, furniture makers, auto mechanics, and on and on.

All those jobs require specialized knowledge and intelligence, but most people who end up in those jobs have had to fight for the special form their intelligence takes because, throughout their lives, they have seen never seen their particular ability and skill set represented as a discipline, rewarded with grades, put into a textbook, or tested on an end-of-grade exam. They have had to fight for their identity and dignity, their self-worth and the importance of their particular genius in the world, against a highly structured system that makes knowledge into a hierarchy with creativity, imagination, and the array of so-called “manual skills” not just at the bottom but absent.

Moreover, Davidson argues that not only is our current educational system not recognizing and valuing these kinds of skills on the front end, when we actually get students in to college we narrow students interests yet further:

All of the multiple ways that we learn in the world, all the multiple forms of knowing we require in order to succeed in a life of work, is boiled down to an essential hierarchical subject matter tested in a way to get one past the entrance requirements and into a college. Actually, I agree with Ken Robinson that, if we are going to be really candid, we have to admit that it’s actually more narrow even than that: we’re really, implicitly training students to be college professors. That is our tacit criterion for “brilliance.” For, once you obtain the grail of admission to higher ed, you are then disciplined (put into majors and minors) and graded as if the only end of your college work were to go on to graduate school where the end is to prepare you for a profession, with university teaching of the field at the pinnacle of that profession.

Which brings me to my title. We’re all pre-professional now. Since the advent of the university if not before there’s been a partisan debate between growing pre-professional programs and what are defined as the “traditional liberal arts,” though in current practice given the cache of science programs in the world of work this argument is sometimes really between humanities and the rest of the world.

Nevertheless, I think Davidson points out that in actual practice of the humanities in many departments around the country, this distinction is specious. Many humanities programs conceive of themselves as preparing students for grad school. In the humanities. In other words, we imagine ourselves as ideally preparing students who are future professionals in our profession. These are the students who receive our attention, the students we hold up as models, the students we teach to, and the students for whom we construct our curricula, offer our honors and save our best imaginations. What is this, if not a description of a pre-professional program? So captive are we to this conceptual structure that it becomes hard to imagine what it would mean to form an English major, History major, or Philosophy major whose primary implicit or explicit goal was not to reproduce itself, but to produce individuals who will work in the world of business–which most of them will do–or in non-profit organizations, or in churches and synagogues, or somewhere else that we cannot even begin to imagine. We get around this with a lot of talk with transferable skills, but we actually don’t do a great deal to help our students understand what those skills are or what they might transfer to. So I think Davidson is right to point this out and to suggest that there’s something wrongheaded going on.

That having been said, a couple of points of critique:

Davidson rightly notes these multiple intelligences and creativities, and she rightly notes that we have a drastically limited conception of society if we imagine a four year degree is the only way to develop these intelligences and creativities in an effective fashion. But Davidson remains silent on the other roles of higher education, the forming of an informed citizenry being only one. Some other things I’ve seen from Davidson, including her new book Now You See It, suggests she’s extremely excited about all the informal ways that students are educating themselves, and seems to doubt the traditional roles of higher education; higher education’s traditional role as a producer and disseminator of knowledge has been drastically undermined. I have my doubts. It is unclear that a couple of decades of the internet have actually produced a more informed citizenry. Oh, yes, informed in all kinds of ways about all kinds of stuff, like the four thousand sexual positions in the Kama Sutra, but informed in a way that allows for effective participation in the body politic? I’m not so sure.

I think this is so because to be informed is not simply to possess information, but to be shaped, to be in-formed. In higher education this means receiving a context for how to receive and understand information, tools for analysing, evaluating, and using information, the means for creating new knowledge for oneself. To be sure, the institutions of higher education are not the only place that this happens, but it is clear that this doesn’t just automatically happen willy-nilly just because people have a Fios connection.

What higher education can and should give, then, is a lot of the values and abilities that are associated with a liberal arts education traditionally conceived–as opposed to being conceived as a route to a professorship–and these are values, indeed, that everyone should possess. Whether it requires everyone to have a four year degree is an open question. It may be that we need to rethink our secondary educational programs in such a way that they inculcate liberal arts learning in a much more rigorous and effective way than they do now. But I still doubt that the kind of learning I’m talking about can be achieved simply by 17 year olds in transformed high schools. Higher education should be a place for the maturing and transformation of young minds toward a larger understanding of the world and their responsibilities to it, which it sometimes is today, but should be more often.

Humanities and the workplace: or, bodysurfing the Tsunami.

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As I suggested in my last post on the demise of Borders, book lovers have lived in an eternal tension between the transcendent ideals their reading often fosters and the commercial realities upon which widespread literacy has depended. The same tension is broadly evident in the Humanities response to professional programs or just more broadly the question of career preparation. We are not wrong to say that an education in history or English is much more than career preparation; nor are we wrong to insist that a college education has to be about much more than pre-professional training. (Not least because most college graduates end up doing things a long distance from their original preparation, and we ought to see that humanities in combination with other knowledges in arts and sciences is at least as good at preparing students for the twists and turns of their eventual career, and perhaps even better, than fields focused on narrower practical preparations

However we are absolutely wrong to assume that questions of career are extraneous or ought to be secondary to our students or our thinking about how we approach curricula.

Daniel Everett, dean of Arts and sciences at Bentley University offers a provocative refection on the need to integrate humanities in to professional education. According to Everett

“Programs that take in students without proper concern for their future or provision for post-graduate opportunities — how they can use what they have learned in meaningful work — need to think about the ethics of their situation. Students no longer come mainly from the leisured classes that were prominent at the founding of higher education. Today they need to find gainful employment in which to apply all the substantive things they learn in college. Majors that give no thought to that small detail seem to assume that since the humanities are good for you, the financial commitment and apprenticeship between student and teacher is fully justified. But in these cases, the numbers of students benefit the faculty and particular programs arguably more than they benefit the students themselves. This is a Ponzi scheme. Q.E.D.”

These are harsh words, but worth considering. I tend to not like Bentley’s particular solutions to the degree that they reduce the humanities to an enriching complement to the important business of, well, business. However, I do think we need to think of new ways of creating our majors that will prepare students for the realities of 21st century employment. Majors that allowed for concentrations in digital humanities would prepare students to engage the changing nature of our disciplines while also gaining technical skills that could serve them well in business. New joint programs with the sciences like those found in medical humanities programs could prepare students in new ways for work in the health care industry. Everett warns of what may happen of humanities programs don’t creatively remake themselves to meet the changing needs of our contemporary world:

“If, like me, you believe that the humanities do have problems to solve, I hope you agree that they are not going to be solved by lamenting the change in culture and exhorting folks to get back on course. That’s like holding your finger up to stop a tidal wave. Thinking like this could mean that new buildings dedicated to the humanities will wind up as mausoleums for the mighty dead rather than as centers of engagement with modern culture and the building of futures in contemporary society.”

Again, I don’t like all of the particular responses Everett has advocated, but I do agree that there is a problem to be addressed that continued proclamations about transferable skills is unlikely to solve. What is sometimes called the applied humanities may be a way of riding the wave rather than being drowned by it.

Speeding and Reading

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As luck would have it I stumbled over two good essays in the same day that seemed to speak to my general concerns (paranoia) at the state of the world. Mark Edmundson over at The Chronicle Review has an excellent piece on the speed with which American college students live their lives these days, a speed perhaps most emphatically symbolized by the Internet. Edmundson is a professor at the University of Virginia, and the author of the book Why Read, a book, among thousands of others, I haven’t had time to read yet.

Says Edmundson, beginning with a chance encounter with a student at the beginning of the school year:

We asked each other the usual question: What did you do over the summer? What he did, as I recall, was a brief internship at a well-regarded Internet publication, a six-country swing though Europe, then back to enjoy his family and home, reconnect with high-school friends, and work on recording a rock CD. What had I done? I had written five drafts of a chapter for a book on the last two years of Sigmund Freud’s life. I had traveled to Crozet, a few miles away, to get pizza. I’d sojourned overnight in Virginia Beach, the day after I woke up distressed because I couldn’t figure out how to begin my chapter. I’d driven to the beach, figured it out (I thought), and then I’d come home. My young friend looked at me with a mixture of awe and compassion. I felt a little like one of those aged men of the earth who populate Wordsworth’s poetry. One of them, the Old Cumberland Beggar, goes so slowly that you never actually see him move, but if you return to the spot where you first encountered him two hours past, lo, he has gone a little way down the road. The footprints are there to prove it.

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One day I tried an experiment in a class I was teaching on English and American Romanticism. We had been studying Thoreau and talking about his reflections (sour) on the uses of technology for communication. (“We are in great haste,” he famously said, “to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate.”) I asked the group, “How many places were you simultaneously yesterday — at the most?” Suppose you were chatting on your cellphone, partially watching a movie in one corner of the computer screen, instant messaging with three people (a modest number), and glancing occasionally at the text for some other course than ours — grazing, maybe, in Samuelson’s Economics rather than diving deep into Thoreau’s “Economy” — and then, also, tossing the occasional word to your roommate? Well, that would be seven, seven places at once. Some students — with a little high-spirited hyperbole thrown in, no doubt — got into double digits. Of course it wouldn’t take the Dalai Lama or Thoreau to assure them that anyone who is in seven places at once is not anywhere in particular — not present, not here now. Be everywhere now — that’s what the current technology invites, and that’s what my students aspire to do.

Edmundson’s essay is pretty wide-ranging, going on to link up with insightful discussion of the relevance of Byron, the natural of contemporary sex, and the laptop as an engine for infinitely expanding desire. Most interesting to me is that Edmundson rightly notes that higher education tends to respond to this situation by saying something like “There go my people, I must lead them” then rushing as fast as possible to make our classrooms and our curricula ever more multi-dimensional, multi-media, multi-tasking, multi-cultural, and multitudinous.

In part, the frantic and unrelenting—and perhaps unavoidable—drive for students as consumers leads us to “meet them where they are” rather than challenging and questioning the form of the culture we all necessarily inhabit.

Often times this argument is put in apolitical—and frankly just stupid—terms by casting it as old culture against new culture, or the culture of elders against the culture of youth. Edmundson points out that this generation of college students has had the internet since they were eight years old. My son has never known a time when we didn’t have an internet connection—even though we only managed to get off dialup a few months ago. How, one must ask, is an eight year old determining the contours of his or her culture. This is a culture that has been thrust upon them by mature adults who made the culture in which they must inevitably participate.

But to recognize that inevitability is not the same thing as having to endorse it or at least fail to recognize its limitations. The formidable speed and the wealth of information available at my internet connection is offered by denizens of the net as its greatest and most empowering aspect. It is also, perhaps, its most its most dehumanizing aspect.

Side note: who decided that more power—implied by the notion of empowerment—is always a good thing, always a humanizing thing. Ask Eliot Spitzer—awfully empowered. Not completely sure the quest for more empowerment results in better persons or better cultures.

Though, as I think about it, this isn’t really a sidenote. One traditional hack on traditional modes of reading (and traditional classrooms) are that they are disempowering. Too slow. The author/teacher is too much in control. Against this notion Edmundson suggests that the first task of teaching in such a world is not to speed up our classes, but to slow them down

For a student to be educated, she has to face brilliant antagonists. She has to encounter thinkers who see the world in different terms than she does. Does she come to college as a fundamentalist guardian of crude faith? Then two necessary books for her are Freud’s Future of an Illusion and Nietzsche’s The Anti-Christ. Once she’s weathered the surface insults, she may find herself in an intellectual version of paradise, where she can defend her beliefs or change them, and where what’s on hand is not a chance conversation, as Socrates liked to say, but a dialogue about how to live. Is the student a scion of high-minded liberals who think that religion is the OxyContin — the redneck heroin — of Redneck Nation? Then on might come William James and The Varieties of Religious Experience or Schopenhauer’s essays on faith. It’s this kind of dialogue, deliberate, gradual, thoughtful, that immersion in the manic culture of the Internet and Adderall conditions students not to have. The first step for the professor now is to slow his classroom down. The common phrase for what he wants to do is telling: We “stop and think.” Stop. Our students rarely get a chance to stop. They’re always in motion, always spitting out what comes first to mind, never challenging, checking, revising.

Not long ago a young man came to my office, plopped down, and looked at me with tired urgency. “Give me 10 minutes on Freud,” he said. “Convince me that he really has something important to tell me.” Despite appearances, this was a good moment. It was a chance to try to persuade him to slow it down. Get one of Freud’s books — Civilization and Its Discontents is usually the best place to start — read it once and again, then let’s talk.

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As to our students, all honor to them: They may have much to teach the five-drafter. By their hunger for more life they convey hope that the world is still in some measure a splendid place, worth seeing and appreciating. Into spontaneity they can liberate us. But life is more than spontaneity and whim. To live well, we must sometimes stop and think, and then try to remake the work in progress that we currently are. There’s no better place for that than a college classroom where, together, we can slow it down and live deliberately, if only for a while.

Yes, I think this is it precisely, and I appreciate Edmundson’s effort to find a balance between the culture of speed and the culture of reflection. But I also think he’s right that our students don’t need from us how to be taught to speed through a course of study; they do that well enough already.

Along these lines, I do think one of the greatest challenges facing English departments—if not the culture as a whole–is the deliberateness and singularly absorbed attention that traditional intensive reading requires.

There is a particular sense in which this kind of attention, this kind of slowing down, is “disempowering” in a particular and commonplace use of that term. I willingly subject myself to the book and surrender my consciousness to the authority of the text, my imagination to the primacy of another imagination. I am in some very real sense possessed and my consciousness of self temporarily dissolved into another world created not by the clicking finger of my desire—though my desire may not be suspended—but created by another will.

This is why romantics from Emerson to Byron to Barthes have hated reading (I say this even though Barthes is sometimes taken as a romantic of the reader. Or because of it. He can only imagine reading as a positive act if reading is reimagined as a form of writing, not a form of self-abnegation.)

My terms here verge on the spiritual, which leads to a second essay I read from Nancy Malone, but I’ve gone on too long already and will try to get to this later. Reading, or at least some kinds of reading, as a form of contemplative practice, one who’s desired goal the self-aggrandizing expansion of desire, but dissolution of the desiring self in any straightforward sense.

Peter Kerry Powers

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