Monthly Archives: March 2019

Review of Goodbye Christ?–American Historical Review

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It was nice to find another review of Goodbye Christ?, and the first I’ve seen in a print journal of some substance.  Tiffany Ruby Patterson from Vanderbilt University does a very thorough overview of the book and has some kind words to say.  Unfortunately behind a paywall for now, but you can find it here if you have access.  A couple of short excerpts:

In Goodbye Christ? Christianity, Masculinity, and the New Negro Renaissance, Peter Kerry Powers has written a deeply researched and fine-grained study of how issues of masculinity and Christianity are entangled in the writing and worldviews of African American intellectuals in the twentieth century. He argues that the New Negro Renaissance was not a secular period as some have argued but one where secularism and Christian beliefs competed in shaping the struggle for leadership. Instead he demonstrates that the period was a moment when “Christian religious practices provide the backdrop, characters, imagery, and theme of most of the important work of the Renaissance, even when they are deployed to resist the religious traditions that they reference” (15)

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This study also speaks to the work that still needs to be done on Christianity, non-Christian belief systems in America, gender matters, and intellectuals.  Goodbye Christ? is grounded in excellent research and is meticulous in its arguments.  it is a must read for scholars of religion, gender, race, sexuality, and intellectual leadership.

So, must read. Do.

“Beyond The Review: Reading African American Literature and Religion”

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Langston

I was very happy this week to publish a new review essay in The Cresset for their Lent 2019 edition. On the one hand publishing has not lost its charge, perhaps because I do it so rarely.  But beyond that it was good to see in print my meditations on being part of a mini-movement in literary and cultural studies that has been taking religion in/and African American lit more seriously.  Besides my efforts on the Harlem Renaissance, there are many other, probably more important contributions going on, and I look at three recent works by Wallace Best, M. Cooper Harris, and Josef Sorett just to give a sense of the importance of what’s going on, besides my evaluation of the works at hand.  I also liked the challenge of trying to write 

about academic literary criticism for a non-specialist audience, and to take up the issue of why lay readers ought to read criticism, even against their better judgment.  Not an easy task, and one at which I think I only partially succeeded, but which the editor liked enough to print at any rate.  A little flavor of this aspect of the review:

harriss

“Unlike breathing or the beating of the heart, reading is a skill developed within particular cultures, each with its own values and peculiarities, and each with its own notion of excellence. At its best, literary criticism models forms of readerly virtuosity that stretch our imagination beyond the straightforward pleasures of enjoying a good story. The best criticism allows us to know literature within a cultural ecosystem of reference and connection. In the normal course of things, we pluck books from the Barnes & Noble bookshelf or the Amazon algorithm as we might pluck up a flower in a field, enjoying (or not) the pleasure of the text. Literary criticism reads the role that flower plays in the field. It considers the ways it depends on or perhaps destroys other features of the field, or perhaps the ways other cultural ecosystems consider it a weed or an invasive species to be eradicated. SorettWhile reading literary criticism is not always a walk in the park, doing so can make our pleasures more aware and engaged, delivering enhanced or other pleasures, much as we might take pleasure in not only the scent of the air, but in being able to name the flowers and the trees and understand our relationship to them and theirs to one another.”

You can read the rest of my review here…