Photosynth and the Feebleness of Books

One of my very good students, Colin Chrestay, sent me the attached video of a techie at Microsoft showing off this staggering new software–software seems like too mild a word–in development called Photosynth. If you’re only interested in books, you can watch the first two minutes, but watch the whole thing. You really must watch the whole thing.

Stuff like this is just really staggering to me in seeing what is now possible via the web. (My guess is this is old hat to a great many people; but not to me). I don’t know enough about the specifics, and assume that this kind of thing is still a ways away from every person’s fingertips. But the realization that it isn’t inconceivable that every school child could explore every corner of the earth in three dimensions, from every angle and in the minutest detail to the broadest geographic and geological context…well, when I was my son’s age these were the fantasies of Ray Bradbury. I imagine it will be the normal day to day life of my grandchildren.

Re. books, the feebleness of books. Well, I guess I don’t completely think that books are feeble, but this kind of thing just makes clear to me again that there are many things for which the electronic world is clearly superior to anything that book culture could imagine. To insist otherwise does, I think, verge on a snobbish version of luddite-ism.

For instance, when I was growing up on books, a selling point for reading was that books allowed you to experience multiple places and cultures in the world, to travel to places in your imagination that you could never access with your body. And I don’t think there was anything spurious in that claim. But how this raison d’etre pales in comparison to seeing these worlds in three dimensions. Imagine that you wanted to know about mountain climbing in the Himilayas. I am sure there is still a very big place for books on this subject, but how much more impoverished that experience would be for the students who won’t have access to the kind of experience that photosynth can provide.

As a result, it seems to me that we need to think clearly about just what it is that books give us access to in terms of form or content that can’t be accessed in the same way via these kinds of technology. Among other things, of course, we might say that books are a good source for exploring the possibilities of language. And one traditional distinction between novels and movies seems to me to still hold for the visuality of the internet. Books, texts in language, are better media for exploring the intricacies of the human pscyhe, better access to the interior world than the visual world of technology typically allows for. Perhaps we need both novels and autobiographies by mountain climbers, and photosynth representations of mountain climbing, to get our strongest human approximation of what it must be like to climb in the Himalayas.

Secondly, of course, I’m intrigued by the degree in this video that books and newspapers are a passing mention. Indeed, the brief nod to Dickens’ Bleak House seems to be mostly about the fact that we could put the whole of Bleak House into a simultaneous view, something the presenter agrees is not necessarily a great way to read a book. And the bit on newspapers seems to be about trying to make the experience of reading a traditional newspaper more available for the digital reader. One wants to say why. It’s neat that we can do this, but peculiarity of these moments in the video suggest to me the ways in which these technologies create different forms of experience that are not compatible with books or newspapers as traditionally conceived.

I admit that when I see videos like this, I mostly think that the digital utopians have won the day. That I should fold my tents and go home.

Nevertheless, it still seems to me that the task is to figure out what the precise role of reading traditional texts really is; what particular role do traditional forms of reading and writing have to play in our present moment. What can the reading of texts provide, what skills can it enable, that are difficult (impossible?) to develop in any other way. Of course, we can continue to read without worrying about these things, simply because we like reading books more than other things, but my guess is that this will mean that reading books will become an increasingly arcane hobby–something a little like collecting rare books or writing on typewriters is today. Something that is done and enjoyed, something for which there is even a minimal market, but something that is mostly a curiosity rather than a serious cultural enterprise.

2 thoughts on “Photosynth and the Feebleness of Books

  1. Pingback: Reading Humour (No Smiling Allowed) « Read, Write, Now

  2. phil jones

    Words can deal with abstractions and ideas *way* better than pictures.

    Pictures are great as long as what you want to say happens to be geometric. But the moment you have an idea which doesn’t have a 2 or 3D projection (which is most of them) you’ll need to fall back on words. Try representing this reply to you using pictures and you’ll understand what I mean.

    Of course, those words may, in future, be on a screen or Kindle-like device or even in audio format (for the simpler ideas) but they’ll still have to be words.

    (BTW: that video seems not to be available any more)


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