Tag Archives: Hemingway

Writers whom we should only take as seriously as they took themselves

Yesterday in my comments on Carmen McCain’s post, I quoted Susan Sontag in all seriousness.  I might have thought better of doing so if I had bothered first to take in this image:

Susan Sontag Thinking Deep Thoughts

This from a collection of photos at Flavorwire of writers in various stage of un-work.  Mostly these folks do not look inebriated, but with Hunter S. Thompson, Papa Hemingway, and Kurt Vonnegut in the mix, I would remain none to sure. It is comforting to know that writers are people too, just like you and me.  Though I will say that unlike Hunter S. Thompson, I have never driven down the Vegas strip with a naked blow up doll sitting in my lap.  No doubt it is this kind of self-repression that is keeping me from being the writer I was meant to be.

Side Note:  A personal favorite is of screenwriter Dalton Trumbo working in the bathtub.  Which leads to a writerly twist on the drunken parlor game question:  Most unusual place you’ve ever done it?  Your writing, I mean?

Digital Archive as Advertisement: The Hemingway Papers

The pace at which digital material is being made available to the public and to students and scholars in the humanities is accelerating, whether one thinks of the digitization of books, the new MOOC’s from MIT and Harvard and others that will extend learning the humanities and other fields, or the digitization of papers and manuscripts that were previously in highly restricted manuscripts or rare book sections of single libraries like the James Joyce Papers just released in Ireland.

Another addition to this list is the release of a new digitized collection of Hemingway’s writings for the Toronto Star.  The Star has put together the columns written by Hemingway for the paper in the early 20s, along with some stories about the  writer.  I’m basically extremely happy that archives like this and others are taking their place in the public eye.  I had a great course on Hemingway while pursuing an MFA at the University of Montana with Gerry Brenner, and the legacy of Hemingway was felt everywhere.  Still is as far as I’m concerned.

At the same time, I admit that the Star site left me just a little queasy and raised a number of questions about what the relationship is between a commercial enterprise like the Star and digital work and scholarly work more generally.  First cue to me was the statement of purpose in the subtitle to the homepage:

The legendary writer’s reporting from the Toronto Star archives, featuring historical annotations by William McGeary, a former editor who researched Hemingway’s columns extensively for the newspaper, along with new insight and analysis from the Star’s team of Hemingway experts.

I hadn’t really realized that the Toronto Star was a center of Hemingway scholarship, but maybe I’ve missed something over the past 20 years.  Other similar statements emphasize the Star’s role in Hemingway’s life as much as anything about Hemingway himself:  emphases on the Star’s contributions to the great writer’s style (something that, if I remember, Hemingway himself connected more to his time in Kansas City), emphases on the way the Star nurtured the writer and on the jovial times Hemingway had with Star editorial and news staff.  Sounds a little more like a family album than a really serious scholarly take on what Hemingway was about in this period.  Indeed, there is even a straightforward and direct advertisement on the page as it sends you to the Toronto Star store where you can purchase newsprint editions of Hemingway’s columns.

I don’t really want to looks a gift horse in the mouth.  There’s a lot of good stuff here, and just having the articles and columns available may be enough and I can ignore the rest.  Nevertheless, the web is a framing device that makes material available within a particular context, and here that context clearly has a distinct commercial angle.  It strikes me that this is a version of public literary history that has all the problems of public history in general that my colleague John Fea talks about over at The Way of Improvement Leads Home.  Here of course it is not even really the public doing the literary history but a commercial enterprise that has a financial stake in making itself look good in light of Hemingways legacy.

The Star promises the site will grow, which is a good thing.  I hope it will grow in a way that will allow for more genuine scholarly engagement on Hemingways legacy as well as more potential interactivity.  The site is static with no opportunity for engagement at all, so everything is controlled by the Star and its team of Hemingway experts.  We take it or we leave it.

For the moment I am taking it, but I worry about the ways commercial enterprises can potentially shape our understanding of literary and cultural history for their own ends.  I wonder what others think about the role of commercial enterprises in establishing the context through which we think about literature and culture?

Majoring in the Extreme Humanities

Playing Scrabble the other day I looked up the word “selvages” online and in the process discovered the sport of extreme scrap quilting.  I still don’t have my mind around the concept since I thought that scrap quilting was by its nature designed to be the opposite of extreme, but apparently it is a “thing” since it calls up 750000 hits on google in one form or another.  I can’t quite figure out the difference between extreme scrap quilting and regular scrap quilting, but I’m sure that if its important to my happiness someone will let me know.  Or even it’s not.

I take it that extreme scrap quilting is on the order of extreme eating, extreme couponing, extreme makeovers, and extreme other things.  Indeed, it appears that in order to be noticed as something special and different it is important that it become extreme, unusual, and call attention to itself.

I’ve concluded that this is one of the problems with the Humanities. We are not extreme enough.  We need to shake off the image of the sedate professors in elbow patches and figure out new ways to make our disciplines sufficiently life threatening to attract interest. If we were more extreme we could have sexier advertisement in college brochures and more positive coverage in the national press.

I struggled to come up with a few examples, but I wonder if others could come up with more.

“Extreme Hemingway 101”–Read Hemingway on a safari to Africa.  You will be injected with a form of gangrene and a rescue plane will fly you in to the side of Mount Kilimanjaro.  If you make it out alive your grand prize will be a a year for two in an isolated cabin in Idaho.  By the end of this course you will truly understand what it meant to be Ernest Hemingway.  Because we will spend so much time flying around the world, we will only have the time for the one short story.  But lots and lots and lots of experiential learning.

“Extreme Poetry 302”–competitors will rack up debt and be given jobs as baristas.  The competitor who is willing to go without health benefits and adequate housing the longest will be rewarded with a publishing contract with 2000.00 subvention fees for the cover art. [Oh, wait….we already do that one for real].

“Extreme History 291”–Students will be put out in sod houses on the Kansas Prairie without electricity, food or running water in order to relive America’s westward expansion. Students from the extreme archery team will provide realistic attacks on settlers in an effort to help students better understand the responses of the colonized to their colonizers.  [I think this was actually some kind of television show already, but why not steal a good idea]

“Extreme Philosophy 479”– an extreme version of Aristotle’s peripatetic school, students will be required to run a marathon on a treadmill while wearing specially designed headsets that allow them to watch all Slavoj Zizek videos currently posted on Youtube [because we realize students are not professional marathoners, we believe there will be sufficient time to actually accomplish this assignment].  Final exam focused on actually reading Zizek is optional.

I’m sure there must be other possibilities.  I’d love to hear of them.

[True story, in writing this blog post just now I googled “extreme humanities” and came up with several Indian sites for hair weaves made of real human hair;  I kid you not. Judging from the web site I looked at, it appears there’s an unnerving desire for “virgin human hair.”  I had not really realized this was a consideration in the baldness management industry.   “Extreme Higher Education”, more grimly, starts out with several pages of mostly news stories focusing on extreme cuts to Higher education]